Journal of Latin American Cultural Studies

Cultural Festivals in Urban Public Space: Conflicting City Projects in Chile’s Central Zone

Stillness, Collaboration, and Assisted Movement: The Global Trajectories Charted Through Latin American Pop Music

How to Build Cathedrals. Cildo Meireles: A Sensory Geography of Brazil

The Institutionalisation of Ibero-American Cinema in the Twenty-First Century: The Fénix and PLATINO Awards

The Pirates’ Perspective. Geopolitics, Interstices, and Detours in The Gold Bug (Alejo Moguillansky and Fia-Stina Sandlund, 2014)

José Mármol’s Amalia (1851, 1855): The Politics of Consumption and the Limits of Liberalism

Intellectual Paraphilias: Oscar Wilde and Cultural Critique as Transgression in the Early Alfonso Reyes

Oscar Wilde in Mexico: Keeping the Scandal Alive

Making the Sunflower Sing: Medicinal Plants in Women’s Songs, Tonadas, and Poems: Chile-Wallmapu XX-XXI

‘Free From the Fatal Contagion of Prudery’: Reading Wilde in Puerto Rico

Scathing Translations: Guillermo Valencia, Bernardo Arias Trujillo, and The Ballad of Reading Gaol

A Dystopian Utopia: Queerness, Affect and the Political in Roberto Jacoby’s Darkroom (2002)

‘Letras Terribles’: Mourning and Reparation in Two Poems by Augusto Roa Bastos

The Boom, the Literary, and Cultural Critique

Introduction: Digital changes in Latin American cinemas

Frida Kahlo’s Photographic Posing: A Theoretical Approach to Visual Autobiographies

Response: Going to the Movies in the Digital Age

Eccentrics, Extravagants, and Deviants in the Brazilian Belle Époque, or How João Do Rio Emulated Oscar Wilde

Grounding Progress and Mexican Potential: Nineteenth-Century Representations of Congregación and National Unity

Moth-Eaten Maps and Empty Wells: Augusto Roa Bastos, Augusto Céspedes, and the Chaco War Archive

Introduction

Memory and Non-Place: Visual Testimonies of Japanese American Internment During World War II

The Politics of Citing: José Martí, Oscar Wilde, and the Renaissance of Author Photography

Dislocations of the National: Colombian Cinema and Intercultural Spaces

Juan Moreira: Romantic Outlaw, Liberal Hero

Transnational, Digital, Mexican Cinema? Fogo (Yulene Olaizola, 2012) and Placa Madre (Bruno Varela, 2016)

Justo Sierra O’Reilly and John L. Stephens: Translation, History, and Transnational Romanticisms in the Americas

A People for the Patricians: Cuadros De Costumbres and State-Making on the Frontier in Colombia and Venezuela

Diego Rivera and Juan O’Gorman: Post-Revolutionary Architectural Anatomies

José Zorrilla in Mexico: Transatlantic Romanticism and the Question of Artistic Labour