European Romantic Review

Women’s Literary Networks and Romanticism: “A Tribe of Authoresses,” / Romantic Women Writers and Arthurian Legend: The Quest for Knowledge

Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds / The New Annotated Frankenstein

British Romanticism, Climate Change, and the Anthropocene: Writing Tambora / Marking Time: Romanticism and Evolution

Locating Ireland in Iran of Thomas Moore’s “The Veiled Prophet”: Allegory, History, and Unsettled Interpretive Trajectories

Insult to Injury: Romantic Wartime and the Desecrated Corpse

Godwin’s Irritability: The Stalled Work of the Negative in Fleetwood

The Poetics of Decline in British Romanticism / The Romantic Historicism to Come

Sporting Cultures, 1650–1850

Theorizing Elegiac Consolation as a Transitional Object: The Arab Dream in William Wordsworth’s The Prelude

Mary Wollstonecraft’s Female Imbeciles

Reading Shelley and Adorno on “Life”: A Further Exploration

“Ode to a Nightingale”: Poetry and the Particularity of Sense

The Haunts of the Banditti: Transnationalism and Mediation in George Robinson’s Publishing Network

Pizarro

Romantic Childhood, Romantic Heirs: Reproduction and Retrospection, 1820–1850 / British Romanticism and the Literature of Human Interest

“Imperfect, Confused, Interrupted”: Biography, Nationalism, and Generic Hybridity in William Godwin’s Life of Chaucer

Satire, Celebrity, and Politics in Jane Austen / Jane Austen and Masculinity / Jane Austen and Sciences of the Mind

What is Orientation in Sinking?

Black Women and/in the Shadow of Romanticism

Romantic Writing and the Determinations of Cultural Property

“The Theater of Real Life”: Godwin’s Mandeville and Milton’s A Masque Presented at Ludlow Castle

Baudelaire and Romanticism

“The Force of Ridicule”: The Ironies of Blackwood’s Magazine and Walter Scott’s The Fortunes of Nigel

The Bewilderment of the Self in Beckett and the Romantics

The “Original” Journals of Katherine Wilmot: Women’s Travel Writing in the Salon of Helen Maria Williams

Social Authorship and the Mediation of Memory in Anne Grant’s Poetry

“The Base on Which Thy Greatness Stands”: Self-Fashioning and the Grounds of the Past in The Prelude

Generic Mixing in Wordsworth’s “Elegiac Musings in the Grounds of Coleorton Hall, the Seat of the Late G. H. Beaumont, Bart.”

“Accents of an Unknown Land”: Percy Bysshe Shelley’s Writings in Italian

Psyche-Image; or Truth in the Infinitive

“Meek-eyed moods”: On John Clare’s Inarticulate Images

John Keats and the Medical Imagination / The Form of Poetry in the 1820s and 1830s: A Period of Doubt

Re-printing, Re-citing, and Re-circulating Romanticisms and the Question of Commitment

New Directions in Godwin Studies

Shelley’s Voice: Poetry, Internationalism, and Solidarity

Bildung in Crisis: The Hospitality of Negation in Friedrich Schelling’s Clara (1810)

Medical Ecstasies: Chemical Synthesis and Self-Experimentation in Romantic Science and Poetry

Sources and Style in Moore’s Irish Melodies / The Gothic Novel in Ireland, c. 1760–1829

Physical Masculinity and the “Philosopher Hero” in the 1790s Political Novel

Austen’s Swarms and Plots

“Rapt Auditors!” Burke and the Revision of Rhetorical Violence in Wordsworth’s The Prelude

The Female Philosopher and Her Afterlives: Mary Wollstonecraft, the British Novel, and the Transformations of Feminism, 1796–1811