New Review of Film and Television Studies

The odds are never in your favor: the form and function of American cinema’s neoliberal dystopias

Toward a dynamic ecocritical aesthetics: rethinking ‘Eco’ for the films of Terrence Malick

The CIA in Hollywood: how the agency shapes film and television

Grief, ecocritical negativity, and the queer anti-pastoral

Performance anxiety: the competitive self and Hollywood’s post-crash films of cruelty

Lesbian cinema after queer theory

The philosophical Hitchcock: Vertigo and the anxieties of unknowingness

Get Out and the legacy of sundown suburbs in post-racial America

Self-referentiality and neoliberalism in contemporary Argentine cinema

Hold me, thrill me, kiss me, kill me: the ambivalent queer of post-network television

Nobody’s home: the ecology of Terrence Malick

Torlasco’s “Philosophy in the Kitchen”: image, domestic labor, and the gendered embodiment of time

Paragons of failure: fallen celebrity and the crisis of social mobility

A process philosophy framework for film theory and aesthetics

Deep play and dark play in contemporary cinema

Neoliberalism and class tourism in The Darjeeling Limited

Neoliberal cartographies: the grid in independent New York film

Lewd looks: American sexploitation cinema in the 1960s

The monogamous/promiscuous optics in contemporary gay film: registering the amorous couple in Weekend (2011) and Paris 05:59: Théo & Hugo (2016)

Alternative ethics for ecocinema: The Tree of Life and post-continuity aesthetics

The ontological politics of the spoof image in Tamil cinema

The cinema of entanglement: how not to contemplate Terrence Malick’s To the Wonder, Voyage of Time, and Knight of Cups

The physician of cinema: Terrence Malick’s Tree of Life

Nature scaled to body: literary adaptation, space, and genre in Terrence Malick’s The Thin Red Line (1998) and G.W. Pabst’s Westfront 1918 (1930)

Contemporary Peruvian cinema: history, identity and violence on screen

Going Ape: Animacy and affect in Rise of the Planet of the Apes (2011)