HISTORY OF PHOTOGRAPHY
ISSN:0308-7298

HISTORY OF PHOTOGRAPHY

HIST PHOTOGR
学科领域:艺术学
是否预警:不在预警名单内
是否OA:
录用周期:-
新锐分区:艺术学3区
年发文量:13
影响因子:0.2
JCR分区:Q0(未被收录)

基本信息

-
0308-7298AHCI/Scopus收录
0.2
0
2026年3月发布
点击查看历史分区趋势    >
大类学科小类学科Top期刊综述期刊
艺术学3区
ART 艺术
3区
N/A
WOS期刊SCI分区  2024-2025最新升级版
按JIF指标学科分区收集子录JIF分区JIF排名百分位
学科:ART
AHCI
N/A
N/A
按JCR指标学科分区收集子录JCR分区JCR排名百分位
学科:ART
AHCI
Q1
29/145
暂无h-index数据
13
2%---ART-
0%
时间预警情况
2026年03月发布的新锐学术版不在预警名单中
2025年03月发布的2025版不在预警名单中
2024年02月发布的2024版不在预警名单中
2023年01月发布的2023版不在预警名单中
2021年12月发布的2021版不在预警名单中
2020年12月发布的2020版不在预警名单中
100.00%23.73%-
CiteScore:0.50
SJR:0.122
SNIP:0.000
学科类别分区排名百分位
大类:Arts and Humanities
小类:Visual Arts and Performing Arts
Q2
241 / 676

期刊高被引文献

Salon Pictures, Museum Records, and Album Snapshots: Australian Photography in the Context of the First World War
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1607417
A Strategy of Truth: Andreas Feininger and the Creation of Propaganda for the Office of War Information, 1942
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1575050
Is Photomontage Over? A Special Issue of History of Photography
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1696043
Charles Marville and the Landscapes of the Carrières d’Amérique
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1726100
Photography in 1848: Five Case Studies from Central Europe
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1643546
Sheida Soleimani, Cyborg: Photomontage in an Expanding Network
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1668613
The ‘Public’ Life of Photographs
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1610246
Photography and Other Media in the Nineteenth Century
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1610247
Guilt in the Archive: Photography and the Amritsar Massacre of 1919
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1613791
Sparks of Discomfiture: On the Promise of Photomontage (or Back to Suture)
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1691863
The ‘Occupied Lens’ in Wartime China: Portrait Photography in the Service of Chinese ‘Collaboration’, 1939–1945
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1662604
At Home in the Victorian City? Revisiting Thomas Annan and the Social Contexts of Early Urban Photography
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1600860
From Carnival to Satire: Photomontage as a Commentary on Photography
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1688993
Cut and Paste
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1695408
Just Gold: The Mavis Walley Collection
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1580863
The Snapchat Monteur? New Platforms for Photomontage
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1682834
Photomontage in the Present Perfect Continuous
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1678292
Large Direct Heads: Robert Crawshay’s Dream of Life-Size Photography
来源期刊:History of PhotographyDOI:10.1080/03087298.2020.1779481
The Big Picture: The Materiality of Size in Ansel Adams’s Large-Scale Works
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1798646
Frontier and Metropole, Science and Colonisation: The Systematic Exhibitions of Richard Daintree
来源期刊:History of PhotographyDOI:10.1080/03087298.2020.1788233
The Photobook as Variant: Exhibiting, Projecting, and Publishing John Max’s Open Passport
来源期刊:History of PhotographyDOI:10.1080/03087298.2020.1771052
Cut and Paste: Charlie White on the Collage Impulse Today
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1697084
The Photomontage Activity of Postmodernism
来源期刊:History of PhotographyDOI:10.1080/03087298.2019.1676982

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