Studies in Documentary Film

Interview with Dale Hudson and Patricia R. Zimmermann

Zubrycki’s point: Amongst Equals, utilitarian film in the Australian labour movement

Recent documentary films about migration: in search of common humanity

The melancholy of a political documentarist

Poetic documentary as visual ethnography: Liwaa Yazji’s Haunted (Maskoon) (2014)

The unusual persistence of a docudrama: Blue Murder and the bodies too many

Intersecting archives and Gaylene Preston’s War Stories Our Mother Never Told Us (1995, New Zealand)

Sarcellopolis: virtual cartographies of multicultural living in contemporary i-docs

Slow cinema and contemplative politics: radical documentary in the twenty-first century

Interview with Sharon Daniel

Time, memory and history in the labour documentary film

From master narratives to DIY stories: on the post-digital sublime and database documentary in two city symphony films

‘This would be scary to any other culture\u2009…\u2009but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk

Vicarious trauma and emotion work in documentary filmmaking

Camera as weapon: ways of seeing in Kashmir

Introduction: radical documentary today

Modernism and the crisis of modernity: society and the individual in Lindsay Anderson’s O Dreamland

Essie Coffey’s My Survival as an Aboriginal (1978) and My life as I live it (1993): autobiographical documentary and the socio-political struggle of an Aboriginal, Black woman

Latin American ethnographic cinema: between exploration and denunciation

And then the frog became a bear\u2009…\u2009a golden bearLeonor Teles, or the story of a young filmmaker who was awarded in Berlin

‘Calling to witness: complicating autobiography and narrative empathy in Marlon Riggs’s Tongues Untied’