Traces from elsewhere: dancing together across distance and time
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2018.1527390
A queer futurity autofantasía: contouring discourses of Latinx through memory and queer youth literature
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1620959
Unlearning cisheteronormativity at the intersections of difference: performing queer worldmaking through collaged relational autoethnography
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1672885
Wunderkammer: the performance showcase as critical performative pedagogy
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1643905
CAUTION: on the many, unpredictable iterations of a yellow border sign ideograph and migrant/queer world-making
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595123
The mystical and the mundane: the human/animal distinction in Animal Parade
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595120
Phytomorphizing performance: plant performance in an expanded field
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2018.1559350
Ghosted (I went looking for a haunting)
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1618492
“Marina Abramović Made Me Cry”: performance and presence work in the affective economy
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1658890
Diяty
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1643906
Animal parade
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595118
The Maltese cactus: an autoethnography of the colonization of desire
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1644365
“Home Charms”: unpacking an Irish immigrant woman’s home through speculative design
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1658891
Bikes and bodies: ghost bike memorials as performances of mourning, warning, and protest
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1576919
Muslim women and White femininity: reenactment and resistance
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1657935
Cast harmony and performance through uncertainty: learning to achieve dance at a distance
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595119
Activating minor pedagogy in an adaptation and staging of The Little Prince
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2018.1535132
The visceral remains: revealing the human desire for performance through personal narratives of Alzheimer’s Disease*
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595116
Staging the family unfamiliar: the queer intimacies in Ramble-Ations: A One D’Lo Show
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2018.1457174
On posthuman materiality: art-making as rhizomatic rehearsal
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595121
Frames and community in Arizona’s All Souls Procession
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1670858
Theatricality and performativity: writings on texture from Plato’s cave to urban activism
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1643907
Embodied performance as applied research, art and pedagogy
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2018.1563983
Live, virtual, and spectral: being present at the prison (tour)*
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1598570
“We are chosen”: bearing witness in Animal Parade
来源期刊:Text and Performance QuarterlyDOI:10.1080/10462937.2019.1595124