TDR-The Drama Review-The Journal of Performance Studies

Huan Nuoyuan: Exorcism and Transformation in Miao Ritual Drama

In the Weeds

Dubbing the Dead: Der Dybbuk 1937–2017 at the Jerusalem YMCA Hall

Theatres of Control: The Performance of Algorithms and the Question of Governance

Plato, Procedures, and Artificial Everything

Antihomosexual Acts on Trial: The Poetics of Justice in Uganda

Crude Optimism: Romanticizing Alberta’s Oil Frontier at the Calgary Stampede

Funmilayo Ranco: Feminist Self-Assertion in Late-20th-Century Yoruba Traveling Theatre

Brazilian Black Theatre: A Political Theatre Against Racism

Inhuman Attunements: Eiko Otake’s A Body in Places at The Met Cloisters

The Outside of Butoh Is the Inside of the Body: Ko Murobushi and the Process of Self-Mummification

Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival

Sculpting Masculinities in 19th- and 20th-Century Physical Culture: The Practiced Life of Stanley Rothwell

Performing the Digital and AI: In Conversation with Antje Budde David Rokeby

Trick Star

Karnatic Meets Kattaikkuttu: Notes on an Unusual Cultural Conversation

Minstrel Scandals; or, the Restorative White Properties of Blackface

Dance X Fase X Quad: Choreographic Seeing in Lucinda Childs, Anne Teresa de Keersmaeker, and Samuel Beckett

From Chanel to Halston: The Mythology of Fashion Costumes on Modernist Stages

Performing Unification: History and Nation in German Theater after 1989

Queer As a Verb: Critical Reflections on the Explode! queer dance festival

After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi’s Lady Precious Stream

Proprioception of the Hand: Stelarc’s Object-Oriented Relations

Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival

Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era

Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini’s Salò and Mauri’s Intellettuale

Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice

“In Sorrow Thou Shalt Bring Forth Children”: Docu-Poetic Theatre in Israel

Citizen Action: Political Performance after Yugoslavia